![]() ![]() To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. Multiple external MADI devices can also be connected in series. ![]() Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.Īll new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. ![]() Its flexibility in connectivity and expansion is unrivalled - Analog, ADAT, MADI, AES, SPDIF. Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt technology and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME's famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights. The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I/O with ease. ![]()
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